Early representations of Saint Dominic
Saint Dominic de Guzman was born in 1170 at Calaruega, Castile, the son of Felix Guzman and Blessed Joan of Aza, who named him after Saint Domingo de Silos. When pregnant with Dominic, his mother had a vision that her unborn child was a dog who would set the world on fire with a torch it carried in its mouth; a dog bearing a torch in its mouth became a symbol for the Dominicans.
He studied at the University of Palencia, was probably ordained there while pursuing his studies and was appointed canon at Osma in 1199. There he became prior superior of the chapter, which was noted for its strict adherence to the rule of St. Benedict. In 1203 he accompanied Bishop Diego de Avezedo of Osma to Languedoc where Dominic preached against the Albigensian heresy and helped reform the Cistercians. Dominic founded an institute for women at Prouille in Albigensian territory in 1206 and attached several preaching friars to it.
When papal legate Peter of Castelnan was murdered by the Albigensians in 1208, Pope Innocent III launched a crusade against them headed by Count Simon IV of Montfort which was to continue for the next seven years. Dominic followed the army and preached to the Albigensians, but with no great success.
In 1214 Simon gave him a castle at Casseneuil and Dominic, with six followers, founded an order devoted to the conversion of the Albigensians; the order was canonically approved by the bishop of Toulouse the following year. He failed to gain approval for his order of preachers at the fourth General Council of the Lateran in 1215; however, he received Pope Honorius III's approval the following year, and the Order of Preachers (Fratri Predicatori) was founded.
Dominic spent the last years of his life organizing the order, travelling all over Italy, Spain and France preaching and establishing new houses. He convoked the first general council of the order at Bologna in 1220 and died there the following year on August 6, 1221, having returned from a preaching tour in Hungary. He was canonised in 1234.
This section seeks to collect images of the saint created in the century following his death. Later representations are included if they are of particular interest. (next page)
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Unknown Sienese artist
c. 1240
Saint Dominic
Fogg Art Museum, Cambridge, Mass.
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Unknown Catalan artist (Giovanni da Taranto?)
Second half of 13th century
Saint Dominic
San Domenico Maggiore, Naples
La Pittura in Italia: Il Duecento e il Trecento II 471
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Magdalen Master
c. 1270
Madonna and Child with Saints Dominic and Francis
Yale University Art Gallery, New Haven, Conn.
A portable triptych presumably belonging to a Dominican monk for his personal devotions. Saint Dominic appears in the place of honour on the Virgin's right, with Saint Francis on her left. On the right shutter, Saint Michael above Saints Peter Martyr and Catherine of Alexandria or Margaret; on the left shutter, the Crucifixion.
The Greek lettering used in the inscriptions suggests a Byzantine model for the composition.
Charles Seymour Early Italian Paintings in the Yale University Art Gallery
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Collaborator of Guido da Siena
mid 1270's
The Vision of the Dominican habit
Pinacoteca Nazionale, Siena
Saint Reginald, Dean to the Bishop of Orleans, came to Rome in 1218. Dominic prayed for him when he fell ill, and Saint Reginald received a vision of the Virgin, accompanied by two beautiful damsels. The Virgin annointed him with healing balm and showed him the habit of the Dominican Order, saying it was for him.
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Miniature from 'De modo orandi'
1280
Saint Dominic's Discipline
Biblioteca Apostolica Vaticana, Vatican
Saint Dominic is depicted kneeling before a crucifix, bloodying himself with an iron chain. This 'manner of prayer' was inspired by the penitential movement, of which flagellation was a noted characteristic, of the 13th century.
The Making of the Magdalen 227
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Unknown
End of 13th century
Madonna and Child with SS Dominic and Francis
Nelson Atkins Gallery of Art, Kansas City
La Pittura in Italia: Il Duecento e il Trecento II 474
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Duccio and workshop
c. 1300
Madonna and Child with saints
Pinacoteca Nazionale, Siena
On the right, SS. Peter and Dominic; on the left, Saint Paul and a bishop saint (any ideas - there is an inscription).
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Deodato Orlandi
1301
Madonna and Child with saints
Museo Nazionale di San Matteo, Pisa
Orlandi was from Lucca; the altar dossal is signed and dated 1301.
Carli La Pittura a Pisa 25; La Pittura in Italia: Il Duecento e il Trecento I 243
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Workshop of Cimabue
c. 1290-1310
Madonna and Child enthroned with two angels and SS Dominic and Francis
Uffizi, Florence
Recently, and hypothetically, attributed to the Master of the Capella Vellutti, whose name derives from the frescoes attributed to him in the family's chapel in Santa Croce.