Antonio del Pollaiuolo (b. 1431/32, Florence, d. 1498, Rome)
1470's
Battle of the nude men
Galleria degli Uffizi, Florence
Engraving 42.8*61.8 cm
Liberale da Verona (b. c. 1445, Verona, d. 1526/29, Verona)
1490's
Saint Sebastian
Brera, Milan
Oil on panel 198*95 cm
The work shows the influence of Antonello da Messina's
Saint Sebastian 1476 (Gemäldegalerie, Dresden).
Sandro Botticelli (b. 1445, Florence, d. 1510, Florence)
1474
Saint Sebastian
Staatliche Museen, Berlin
Tempera on panel 195*75 cm
Titian (b. 1490, Pieve di Cadore, d. 1576, Venice)
1538
The Venus of Urbino
Galleria degli Uffizi, Florence
119*165
Cariani (Giovanni Busi) (b. 1485, Venice, d. 1547, Venice)
1520-4
Woman reclining in a landscape
Staatliche Museen, Berlin
Oil on canvas 74*94 cm
The work shows the influence of Giorgione's
Tempest 1505 (Gallerie dell'Accademia, Venice).
Sandro Botticelli (b. 1445, Florence, d. 1510, Florence)
c. 1485
Venus and Mars
National Gallery
Tempera on panel 69*173.5 cm
Piero di Cosimo (b. 1462, Florence, d. 1521, Florence)
1490
Venus, Mars, and Cupid
Staatliche Museen, Berlin
Tempera on panel 72*182 cm
Matthias Grunewald (b. 1470/80, Würzburg, d. 1528, Halle)
1515
The Crucifixion (Isenheim altarpiece doors closed)
Musée d'Unterlinden, Colmar
Oil on wood 269*307 cm
Correggio (b. ca. 1490, Correggio, d. 1534, Correggio)
1531
Leda and the Swan
Staatliche Museen, Berlin
Oil on canvas 152*191 cm
To be fair to Wölfflin, he might have been referring to Correggio's
frescoes in Parma.
However, as these come up later on in the chapter (
p. 121), and as Leda is a stunningly sexy picture in one of Wölfflin's favourite galleries, I just couldn't resist it.
Tintoretto (b. 1518, Venice, d. 1594, Venice)
1570's
Vulcan surprises Venus and Mars
Alte Pinakothek, Munich
Oil on canvas 135*198 cm
El Greco (b. 1541, Candia, d. 1614, Toledo)
1580
Saint Sebastian
Cathedral, Palencia
Oil on canvas 192*148 cm
Nicolas Poussin (b. 1594, Les Andelys, d. 1665, Rome)
1631
The Empire of Flora
Gemäldegalerie, Dresden
Oil on canvas 131*182 cm